Susan Hillyard Shares her Vision for the Future of Education

Global Play Brigade • December 12, 2025

GPB Ambassador, Susan Hillyard, Shares her Vision for the Future of Education


Hear ye, hear ye! GPB has its very first GPB Correspondent. That’s right (snap!). She is Godsdelight Agu, a writer, storyteller, and mental health advocate from Lagos, Nigeria. She has been on a quest to get to know more about our Global Play Brigadiers. Her discoveries? The genius, heartfelt, and artful stories of Brigadier Susan Hillyard (Argentina). The interview has been edited for length and clarity.


Traditional teaching methods are why schools are full of “dullards.” This was a term I couldn’t wave off after my hour-long conversation with educator, author, teacher trainer, facilitator, and play activist, Susan Hillyard. 


For almost four decades, Susan has taken on the challenging yet rewarding task of educating students of all ages. She has worked in over 17 countries, including Argentina, China, Singapore, Spain, and Saudi Arabia, and early on, she experienced the limitations of traditional (i.e., dullard) teaching methods, especially after seeing how learners struggled with English as a Second Language. This inspired Susan to create her signature teaching method
(SHELTA), which adds drama training to the Second Language Acquisition theory. Whether teaching English to special needs children in Argentina, at the Ministry of Education in Buenos Aires, to professors in China, or educators across the world, she is a staunch believer in making education more inclusive.


Susan has long felt that drama was key to that, but since joining the GPB, she now feels that play across ages and stages creates the necessary environment for that. When I asked Susan why play is so important in education, she took a long pause and spoke from her heart:

Because play reduces stress. Play improves mood and cognitive development. Play helps in building community and fostering better communication among students.”


Susan believes that learners shouldn’t just have a high Intelligence Quotient (IQ), but a high Play Quotient (PQ) too. Her dream, along with GPB, is to make play mainstream in education. 


Susan told me about a recent presentation she gave at the SHARE Convention in Buenos Aires, Argentina. The convention was titled,
Transforming English Teaching for Global Impact. Susan’s session, "Play at Any Age, at Every Stage", was about the need for playful learning to enhance student engagement, to reduce stress, and the importance of play throughout different stages of life. Her session was attended by young learners, older students, and managers of English Language Teaching schools. Like all of Susan’s presentations, it was infused with playful activities, giving participants a felt experience of the transformative power of play. I was so inspired hearing this and other stories she shared about how non-English speakers rapidly become able to converse in English through play, youthful offenders becoming performers, and special needs children learning faster and more easily.


I can’t help but imagine how much fun learning would be and how different our world would be if more educators were like Susan. This is why we’re dedicated to upping the PQ (Play Quotient), as Susan says. Let’s make Play Mainstream!

By Global Play Brigade December 12, 2025
CHANGEMAKERS PLAYFEST 2025: Creating Power Through Play If there are two things that define Global Play Brigade, it’s this: First, we love to experiment. We breathe it, build with it, and follow through. GPB isn’t just curious; we are invested in the process and its lessons. Secondly, we love partnerships. Whenever we see an organization dreaming in the direction we dream, we run toward them joyfully, arms open, ready to build something bigger, wider, and wilder. These two parts of who we are collided beautifully at the Changemakers Playfest 2025. GPB featured on Day One of the Performing The World (PTW) 2025, titled: Meandering Through the Mess . It was a conference within a conference, a global playground nestled inside another. Woven into the PTW ecosystem, the energy was electric. GPB’s Executive Director, Rita Ezenwa-Okoro, opened the Changemakers Play Festival with words that set the tone. She spoke of faith and turning mess into message, how changemakers need to navigate complexities without succumbing to burnout, and how play offers a radical way to imagine new possibilities and create hope. Watch Rita’s speech here! One of the participants reflected: “Rita’s speech didn’t just inspire; it was tactile, lived, and actionable. Her words invited participants to sit with complexity without fear, to recognize that navigating mess isn’t chaos, it’s courage in motion.” One of the facilitators added: “Her remarks slowed everyone down, encouraging a collective meandering, turning abstract ideas into lived experience. The festival began not with instruction, but with invitation: to play, to explore, and to build together.” The Art of Connected Conversations playshop turned ordinary talk into bridges. Led by Cathy Salit (USA) and Kahlil Bagatsing (Philippines/USA), participants discovered that listening can be playful, bold, and transformative. “I never knew a conversation could feel like a bridge,” one participant reflected. Their conversations became a space for curiosity, care, and co-creation. Teamwork Makes the Dreamwork sparked laughter and delightful absurdity. Hikaru Hie (Japan), Yvette Alcott (Australia), and Toto Carandang (Philippines) invited participants into improvisational chaos. Everyone became experts at impossible tasks, discovering that teamwork thrives in trust, surprise, and shared play. Power Games in the Workplace / Los Juegos de Poder en Ambientes de Trabajo made invisible dynamics visible. Viviane Carrijo (Brazil), Jordan Hirsch (USA), and Carlos Gaviria (Colombia) guided participants through theater games exploring dominance, influence, and collaboration. One participant reflected, “I’ve been both the oppressor and the oppressed, and play can help us imagine new ways forward.” Power became something to explore, understand, and transform together. Connection and intimacy unfolded in unexpected ways. In one exercise, participants shared the (his)story of their names and responded to each other with curiosity and reflection. Strangers became collaborators within minutes. The festival showed that play isn’t just fun, it’s a strategy for building trust, creativity, and global community. Across continents and cultures, laughter, improvisation, and shared curiosity revealed our common humanity, while playful experimentation offered new ways to imagine, collaborate, and lead with care.
By Global Play Brigade December 12, 2025
HEART & POWER: Bringing the World Closer to Wellness In a world where over 1 billion people are living with mental-health disorders and only one in five get the help they need, Global Play Brigadiers converged this past August at our Heart and Power Playshop to explore the question: How can we bring the world closer to wellness through play? Our carefully curated playshops included: In Embodied Empathy , people didn’t just talk about feelings; they moved them. One participant described the moment they felt another person’s sadness through a simple hand gesture, saying, “It was like my body understood before my mind did.” Guided by Christopher Ellinger (USA) and Jacek Kulkuk (Poland), the Zoom room softened. People softened. Empathy became physical. In What Is Wellness? , a big shift happened. Someone said, “I always thought wellness was personal, but now I see it’s something we build together.” With Lambert Oigara (Kenya), Jeff Gordon (Israel), Jenn Bullock (USA), and Muneeb ur Rehman (Pakistan), wellness became communal, a shared construction site where everyone created new tools. Imagine watching someone’s story turn into choreography; a literal dance of lived experience. Led by Ruben Reyes (Spain), Zara Barryte (USA), Sally Oimbo (Kenya), and Prudence Omale (Nigeria), Story-o-graphy gave participants a chance to see their stories move through another person’s body. It wasn’t just creative. It was healing. Rainbows of Emotions gave us the full colour spectrum of human feelings, from joy to grief to curiosity to frustration. It finally made sense that emotions aren’t good or bad… they’re information, one participant reflected. Steered by Ishita Sanyal (India), Manisita Khastagir (India), Rick Horner (USA), and Medhavi Parmar (India), people painted emotional rainbows with movement, sound, and imagination. Heart & Power didn’t end when Zoom closed. It ignited a new awareness that wellness isn’t a luxury, but a shared responsibility. People walked away with softer hearts, deeper breaths, and a renewed sense of connection across borders, cultures, and personal histories. It reminded us that play can be a global mental-health intervention. It can be one that honours the emotional, cultural, spiritual, and embodied realities. To every participant who danced, moved, cried, laughed, breathed, and played with us, we say THANK YOU. To our brilliant Playcilitators, thank you for guiding the world with courage and creativity. To our hosts, Rita Ezenwa-Okoro (Nigeria), Charly Ford (USA), Murray Dabby (USA), and Medhavi Parmar (India), your presence set the tone on both days. And to our indispensable tech team, you made HEART AND POWER come to life! Click to listen to the insightful musings on Heart & Power by Rita, our Executive Director! Click here to read the collaborative poem created by Heart & Power participants!